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    <title>Black-Radical-Tradition on emsenn.net</title>
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      <title>Disidentification</title>
      <link>https://emsenn.net/library/domains/humanities/domains/sociology/domains/critical-theory/domains/queer/terms/disidentification/</link>
      <pubDate>Fri, 06 Mar 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;strong&gt;Disidentification&lt;/strong&gt; is a concept developed by &lt;a href=&#34;../../../../general/domains/people/jose-esteban-munoz.md&#34; class=&#34;link-internal&#34;&gt;José Esteban Muñoz&lt;/a&gt; in &lt;em&gt;Disidentifications: Queers of Color and the Performance of Politics&lt;/em&gt; (1999). It names a third mode of engaging with dominant &lt;a href=&#34;../../../terms/ideology.md&#34; class=&#34;link-internal&#34;&gt;ideology&lt;/a&gt;, beyond identification (assimilation into the norm) and counter-identification (blanket rejection of the norm). Disidentification works on and against dominant codes simultaneously — recycling, reworking, and repurposing encoded meaning rather than accepting or refusing it wholesale.&lt;/p&gt;&#xA;&lt;p&gt;Muñoz developed the concept to describe the survival strategies of queers of color navigating a public sphere structured by white supremacy and &lt;a href=&#34;./heteronormativity.md&#34; class=&#34;link-internal&#34;&gt;heteronormativity&lt;/a&gt;. When the available cultural scripts are scripts of exclusion, neither identification (performing the norm that excludes you) nor counter-identification (refusing engagement entirely) is viable. Disidentification is the tactical engagement with dominant culture that transforms it in the act of using it — performing a role improperly, inhabiting a category against its intended use, reading a text against its grain.&lt;/p&gt;</description>
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      <title>Queer of Color Analysis</title>
      <link>https://emsenn.net/library/domains/humanities/domains/sociology/domains/critical-theory/domains/queer/terms/queer-of-color-analysis/</link>
      <pubDate>Fri, 06 Mar 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;strong&gt;Queer of color analysis&lt;/strong&gt; is a method developed by &lt;a href=&#34;../../../../general/domains/people/roderick-ferguson.md&#34; class=&#34;link-internal&#34;&gt;Roderick Ferguson&lt;/a&gt; in &lt;em&gt;Aberrations in Black: Toward a Queer of Color Critique&lt;/em&gt; (2004). It names an analytical practice that reads the co-constitution of race, sexuality, gender, and &lt;a href=&#34;../../../terms/capitalism.md&#34; class=&#34;link-internal&#34;&gt;political economy&lt;/a&gt; rather than treating any of these as autonomous axes of oppression that can be analyzed in isolation.&lt;/p&gt;&#xA;&lt;p&gt;Ferguson&amp;rsquo;s central argument is that canonical sociology — from the Chicago School through Daniel Patrick Moynihan — produced Black culture as pathological by measuring it against norms of white heterosexual domesticity. The &amp;ldquo;deviance&amp;rdquo; attributed to Black communities (non-nuclear kinship, informal economies, non-reproductive sexuality) was not a failure to achieve normativity but a product of &lt;a href=&#34;../../../terms/racial-capitalism.md&#34; class=&#34;link-internal&#34;&gt;racial capitalism&lt;/a&gt;&amp;rsquo;s organization of &lt;a href=&#34;../../../terms/labor.md&#34; class=&#34;link-internal&#34;&gt;labor&lt;/a&gt;, kinship, and intimacy. Capital required certain populations to live outside normative domesticity — as migrant workers, as domestic servants, as surplus labor — and then designated the social forms produced by that exclusion as deviant.&lt;/p&gt;</description>
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      <title>The Black Radical Tradition and Russian Semiotics</title>
      <link>https://emsenn.net/library/domains/humanities/domains/sociology/domains/critical-theory/domains/black-radical-tradition/texts/black-radical-tradition-and-russian-semiotics/</link>
      <pubDate>Wed, 04 Mar 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;This text surveys the engagement between thinkers in the Black radical tradition and Russian semiotic theory (the &lt;a href=&#34;../../../../science/domains/linguistics/topics/semiotics/schools/moscow-tartu-school.md&#34; class=&#34;link-internal&#34;&gt;Moscow-Tartu school&lt;/a&gt;, the &lt;a href=&#34;../../../../science/domains/linguistics/topics/semiotics/schools/bakhtin-circle.md&#34; class=&#34;link-internal&#34;&gt;Bakhtin Circle&lt;/a&gt;, and Russian Formalism). The connections range from direct citation and critical appropriation to structural parallels that operate without explicit acknowledgment.&lt;/p&gt;&#xA;&lt;h2 id=&#34;direct-engagements&#34;&gt;&lt;a href=&#34;#direct-engagements&#34; class=&#34;heading-anchor&#34; aria-label=&#34;Link to this section&#34;&gt;¶&lt;/a&gt;Direct Engagements&#xA;&lt;/h2&gt;&#xA;&lt;h3 id=&#34;henry-louis-gates-jr-and-mikhail-bakhtin&#34;&gt;&lt;a href=&#34;#henry-louis-gates-jr-and-mikhail-bakhtin&#34; class=&#34;heading-anchor&#34; aria-label=&#34;Link to this section&#34;&gt;¶&lt;/a&gt;Henry Louis Gates Jr. and Mikhail Bakhtin&#xA;&lt;/h3&gt;&#xA;&lt;p&gt;The most sustained and explicit engagement between these two traditions appears in Henry Louis Gates Jr.&amp;rsquo;s &lt;em&gt;The Signifying Monkey: A Theory of Afro-American Literary Criticism&lt;/em&gt; (Oxford University Press, 1988). Gates builds his theory of Signifyin(g) on a synthesis of Ferdinand de Saussure&amp;rsquo;s semiotics and Mikhail Bakhtin&amp;rsquo;s concept of the &amp;ldquo;double-voiced word.&amp;rdquo; Gates uses Bakhtin to argue that Signifyin(g) works by inserting a new semantic orientation into a word that already has and retains its own orientation.&lt;/p&gt;</description>
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